Here
goes:
Forty
years ago Paul McCartney, his wife Linda and his then band Wings recorded their
fourth album, “Venus and Mars,” in New Orleans at Sea-Saint studios. As the
story goes Paul was always interested in New Orleans music and decided that the
Crescent City was a perfect location for recording. They arrived just before
Mardi Gras in 1975 and, since they would be in town for three months or so, New
Orleans’ indigenous holiday was a perfect reprieve. Paul and Linda donned clown
costumes and makeup, even showing up on both Canal and St. Charles routes as if
they had lived in New Orleans all their lives.
As
a Beatles fan since I saw them on “The Ed Sullivan Show” that fateful Sunday
night so many years ago, so my interest in John Taylor’s account of this historic
event involving a Beatle was highly charged.
From
the introduction I was expecting an insider’s view of the recording sessions
and of the time Paul and the band spent in New Orleans. Instead, Taylor’s book
is basically an account of a fan standing in the parking lot each day during
the sessions shooting pictures with his Kodak Instamatic (I’m not surprised
since Linda was Linda Eastman-Kodak before becoming Linda McCartney).
Taylor
became known to Paul and Linda due to Paul’s accessibility to his fans. Paul
spent time each day upon arrival and when leaving, signing autographs and
generally talking to the fans that had assembled. There are other accounts in
the book from Beatles fans Taylor already knew or got to know from their shared
experience. These accounts tend to be repetitive after a few readings and don’t
really shed any new light on the experience.
Taylor does give information on Paul and Linda’s Mardi Gras experience as he was right below their apartment, both of which were above the old Kolb’s restaurant. Paul and Linda recognized Taylor from the Sea-Saint parking lot and tossed Mardi Gras beads back and forth.
Taylor does give information on Paul and Linda’s Mardi Gras experience as he was right below their apartment, both of which were above the old Kolb’s restaurant. Paul and Linda recognized Taylor from the Sea-Saint parking lot and tossed Mardi Gras beads back and forth.
Another
fan’s story relates the day Paul pulled over in his rented Oldsmobile Delta
convertible on his way to the studio and gave him a lift. These stories
definitely show a musician of Paul’s stature being a down-to-earth person.
What
could have been of more interest to me was a journal from recording engineer
Alan O’Duffy or experiences with the McCartneys and Wings by locally hired
photographer Sidney Smith, along with any of the New Orleans musical
luminaries. “Wings Over New Orleans” will interest the big Beatle fan, of which
there are many, but will not include any more information other than some old
photos and stories.
If
you really want to get the whole picture, a 40-year anniversary edition of
“Venus and Mars” has been released and includes the never before released song
“My Carnival,” along with other great information.
—Bruce Coen
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