The
Historic New Orleans Collection’s 18th annual Williams Research
Center Symposium will examine “Seeking the Unknown: Perspectives on Louisiana’s
Natural History” on Saturday, Feb. 23, at the Hotel Monteleone in New Orleans.
Scholars
from Louisiana and abroad will discuss the state’s natural history, including
faculty members from LSU, Louisiana Tech, McNeese, Tulane, the University of
British Columbia and the University of Mississippi, as well as independent art
historians and curators. Robert A. Thomas, director of the Loyola University
Center for Environmental Communication, will serve as the symposium moderator.
There
will be sessions on pre-colonial American Indians, early naturalists, John
James Audubon, and more. Registration is required and early registration rates
range between $40 and $75 with rates increasing after Feb. 1. Fees include the
full day of presentations plus a special preview of the companion exhibition,
“Seeking the Unknown: Natural History Observations in Louisiana, 1698–1840,” from
6 p.m. to 8 p.m. Friday, Feb. 22. For more information, including a complete
schedule of talks and links to online registration, visit
www.hnoc.org/programs/symposia.html.
Awards
Moira
Crone has been nominated for the Philip K. Dick Award for distinguished science
fiction published in paperback original form in the United States for her
latest book, "The Not Yet.”
Gerald
Duff’s “Dirty Rice: A Season in the Evangeline League,” published by the UL
Press, was named one of the 25 best fiction books of the year by the St. Louis
Post-Dispatch.
New releases
Michael
S. Martin, director of the Center for Louisiana Studies at UL and Janet Allured,
professor of history at McNeese State University and coordinator of its Women’s
Studies program, have published “Louisiana Legacies: Readings in the History of
the Pelican State.” The book is a collection of essays featuring recent
scholarship and covering material on every region of Louisiana. Martin is also
the managing editor of the Louisiana Historical Association’s quarterly
journal, “Louisiana History” and his publications include “Chemical Engineering
at the University of Arkansas: A Centennial History, 1902-2002” and “Historic
Lafayette.” Allured is the co-editor of “Louisiana Women: Their Lives and Times”
and she also shared the authorship of “Images of America: Lake Charles.” She
is currently working on a history of the modern feminist movement in Louisiana.
LSU
Press publishes this week “The ‘Baby Dolls’: Breaking the Race and Gender
Barriers of the New Orleans Mardi Gras Tradition” by Kim Marie Vaz, associate
dean of the College of Arts and Sciences and professor of education at Xavier
University. The Baby Dolls formed around 1912 as an organization for African
American women who used their profits from working in New Orleans’s Storyville
district to compete with other Black prostitutes on Mardi Gras. Their baby doll
costumes — short satin dresses, stockings with garters and bonnets — not only
exploited stereotypes but also empowered and made visible an otherwise marginalized
female demographic, according to the book’s press release. In addition to
creating a subversive presence at Mardi Gras, the Baby Dolls also helped shape
the sound of jazz in the city. Vaz follows the Baby Doll phenomenon through 100
years with photos, articles and interviews and concludes with the birth of
contemporary groups such as Antoinette K-Doe’s Ernie K-Doe Baby Dolls, the New
Orleans Society of Dance’s Baby Doll Ladies and the Tremé Million Dollar Baby Dolls.
Vernon
Valentine Palmer, the Thomas Pickles Professor of Law and Co-Director of the
Eason Weinmann Center for Comparative Law at Tulane University, has published
“Through the Codes Darkly: Slave Law and Civil Law in Louisiana.” The book
examines the heritage of slave law in Louisiana, a profile of the first effort
in modern history to integrate slavery into a European-style civil code, the
1808 Digest of Orleans, and a new unabridged translation by Palmer of the Code
Noir of 1724 with the original French text on facing pages. Palmer is the
author of more than 40 books and articles.
Many
people recognize the famous Supreme Court case of Plessy vs. Ferguson, which
established the idea of separate but equal about blacks and whites in the late
19th century. Homer Plessy, a free man of color who was arrested in
1892 for sitting in the “white” section of a train, was a New Orleans resident.
The event was orchestrated by the Comité des Citoyens in a campaign to test
segregation’s legality. The case went as far as the Supreme Court, which backed
segregation, holding firm until Brown vs. Board of Education ruled it illegal.
Keith Weldon Medley details Plessy’s fight in “We as Freemen: Plessy vs.
Ferguson, The Fight Against Legal Segregation,” now in paperback by Pelican
Publishing of New Orleans.
LSU Libraries
Cristina
Caminita, the LSU Libraries’ agriculture and information literacy librarian, is
one of 56 library professionals selected nationwide to participate in the
American Library Association’s 2013 Class of Emerging Leaders.
Hill
Memorial Library on the LSU campus will host a film series throughout the
spring, open to the public and free. The films will be shown at 2 p.m. with a
guest scholar introduction on the following days:
Wednesday,
Jan. 23, the series kicks off with “The September Issue,” a 2009 documentary
that chronicles Vogue Magazine editor-in-chief Anna Wintour and her staff as
they prepare the publication’s 2007 fall fashion issue;
Wednesday,
Feb. 20, in recognition of Black History Month, the series will feature the
1989 film “Glory” starring Morgan Freeman, Denzel Washington and Matthew
Broderick;
Wednesday,
March 13, celebrating Women’s History Month, the series will showcase the
controversial 2009 Australian documentary, “Stolen” relating to modern-day
slavery issues in northern African refugee camps; and
Wednesday,
April 17, the series concludes with a screening of “If a Tree Falls: A Story of
the Earth Liberation Front.”
Refreshments
will be provided. For more information, contact LSU Libraries Reference
Assistant Coordinator Kelly Blessinger at (225) 578-8538 or email kblessi@lsu.edu.
Cinema on the Bayou
The
eighth annual Cinema on the Bayou Film Festival begins this week with several
screenings Saturday and Sunday, Jan. 26-27, at the South Regional Library
Auditorium. Cinema on the Bayou is an annual five-day film festival committed
to advancing the understanding of Cajun and Creole cultures through film
screenings, panels and cultural exchanges among French Louisiana, the U.S. and
the Francophone countries of the world. For more information, visit CinemaOnTheBayou.com.
Book events
A
book discussion of “In the Garden of Beasts: Love, Terror, and an American
Family in Hitler’s Berlin" by Erik Larson
will begin at 6 p.m. Thursday at the
World War II Museum in New Orleans.
Casa
Azul in Grand Coteau presents La Scene Ouverte for all ages (open mic in
French) beginning at 7 p.m. Thursday.
The
St. Landry-Evangeline United Way will host the “Harlem Ambassadors vs. Team
United,” to benefit The Dolly Parton Imagination Library, at 7 p.m. Thursday at
Opelousas High School Gym in Opelousas. For information, call (337) 942-7815.
The
UNO Creative Writing Workshop and the UNO Fine Arts Department will host a
poetry reading at 7 p.m. Thursday at the UNO Fine Arts Campus Gallery. Poet
Megan Burns, whose most recent collection is out from Dancing Girl Press, will
read from her “Dollbaby poems” and the “Poetic of Nicki Minaj.” Poet Kristin
Sanders, whose poetry chapbook “Orthorexia” is also out from Dancing Girl
Press, will read and sing her newest series, “I Learned To Be A Woman From A
Nineties Country Song.” A wine and cheese reception and book signing will
follow the reading.
Cheré Coen is the author
of “Exploring Cajun Country: A Historic Guide to Acadiana” and co-author of
“Magic’s in the Bag: Creating Spellbinding Gris Gris Bags and Sachets.” She
teaches writing at UL-Lafayette’s Continuing Education. Write her at
chere@louisianabooknews.com.
So much going on. Oh, but I wish I could attend that workshop at the Hotel Monteleone.
ReplyDeleteI'm planning on a trip to the Museum Of Natural History but im trying to figure out if itd be easier on the mind and also on the wallet to either take a train or bus, but which train or bus would go there?When the British colonized many countries etc, how did it encourage the study of natural history (collecting plants and animals). Was it because by pursuing natural history the British was able to make profit through trades etc?
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